From Black Swan to Sustainable Fashion Renaissance?
Guest blog by Xenya (Green Stilettos Girl): known among friends as the “environmentalist in stilettos”, I have worked for major international organizations across three continents on communicating greener ways of living. Originally published here.
This blog brings together my two passions – fashion and sustainability – in a quest to put some glam into green.
"After a pandemic-induced hiatus, the fashion month is back underway in New York, London, Milan and Paris, in a new ‘phygital’ format and with sustainability higher on the agenda than ever before. Has covid-19, this black swan event with profound implications for our economies and societies, changed the fashion industry for good? Could the pandemic usher a new era of sustainable fashion renaissance?"
In many
ways, the crisis has accelerated the changes that had been simmering for quite
some time and led to paradigm shifts that will endure post-pandemic.
Undoubtedly, the greatest social impact has been on the garment workers.
According to news reports, more than a
million garment workers were out of work in the early days of the
pandemic. With women making up 80% of the world’s 300 million garment
workers, the pandemic further exacerbated gender-related poverty and inequity.
For the first time since the turn of the century, progress towards the
achievement of Sustainable Development Goals has reversed, according to the
latest Goalkeepers Report.
The crisis hit independent fashion designers
hard, too. Industry pundits have not been mincing their words, calling the
pandemic ‘an existential threat’ to the industry as a whole.
Many will not survive the storm. But the pressure has driven others to make
long-overdue changes that could ultimately make them stronger.
As the world grapples with COVID-19, we can draw parallels with another crucial and transformative period in human history – the Renaissance. It emerged from one of the darkest chapters—The Black Death in the 14th century—a plague pandemic that devastated the populations of Europe and Asia.
The latest pandemic also offers us a chance to
rethink our societies and economies as we ‘build back better’ post-COVID. Here
are five areas that could have a transformational effect on the industry’s
sustainability going forward:
Slowing down fashion: In
the midst of the pandemic, Italian fashion designer Giorgio Armani penned an impassioned plea to WWD,
exposing the “absurd” current state of affairs and “a criminal nonalignment
between the weather and the commercial season” in a frenetic pursue of fast
fashion. He argued that the slow down forced by the pandemic is bringing to
light a necessary redemption of value to the work and world of designers, which
would ultimately bring the customers to the understanding of the value of
fashion and its collections. In response, several designers announced that
they would be stepping away from the traditional fashion calendar, and reducing
annual collections from six to two.
Greater regulation: This
has been a critical missing link in the fashion industry’s transition to
sustainability, something I explored back in 2016 in this
article. Earlier this year, Stella McCartney used
her influential voice to call on G7 leaders attending their summit in Cornwall to
ramp up regulation of the fashion industry. “Fashion is one of the most harmful
industries and least policed. Sadly, the idea of us self-regulating [is] not a
fair thing to ask of an industry. We need to be helped. If we could just have
some regulation, some policies, some [standardised] methods to measure our
impact,” she told FT in a recent interview. Ending modern
slavery in fashion should be the first and foremost issue to be tackled through
greater regulation, but it could do so much more.
Climate action, yes, but don’t forget nature: The climate alarm bells have been ringing for some
time, not least thanks to passionate campaigners. The fashion industry—which
accounts for more carbon emissions than the air and maritime travel
combined—has a key role addressing the climate crisis. But there is another
planetary emergency that is much less talked about: the biodiversity crisis.
Natural ecosystems that sustain our very life on this planet are under extreme
pressure—and their health is critical for staving off the worst effects of
climate change. More efforts must be made to come up with credible and simple
ways of measuring the value of services these ecosystems provide—from flood
protection to pollination—and as a source of materials for the fashion industry
itself, and how to account for this natural capital.
A more diverse industry: Another
hope for a post-crisis fashion industry will be its greater diversity—another
issue that has been ignored for far too long. When luxury fashion lined up
social media posts to show solidarity with last year’s Black Lives Matters
protests, some brands were exposed for their hypocrisy and bias. A truly
diverse fashion industry is a must—and it goes beyond issues of race or sex
identity. Fashion as an industry needs to cater for all shapes and sizes, and
pay more than just lip service to the principle of inclusivity. This may also
mean eventually redrawing the global map of fashion capitals beyond the big
four mentioned above.
Smart digital: While
many lament the demise of brick-and-mortar retail, which accounted for 80% of
transactions in the fashion industry pre-pandemic, there is no doubt that the
crisis also accelerated the use of digital. Retailers who had not previously
prioritized e-commerce rushed to seize the online opportunity. For some
e-commerce platforms, the pandemic fuelled massive growth, for instance the
resale market got a boost through digital innovation since the onset of
COVID-19. According to McKinsey, in many
countries, as of this year, 40% of all sales will be digital. However, it would
be important to look at digital as more than just clicks leading to sales.
Smart digital strategies can help reduce carbon emissions and waste, reconnect
creators with consumers, and level the playing field for emerging designers.
This article is based on my
lecture first given to Sustainability
Management School Switzerland (SUMAS) students in June 2020 and
updated in September 2021.
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